BECK THE INFORMATION DELUXE RAR FULL
BECK THE INFORMATION DELUXE RAR SERIES

Many reviewers were impressed to hear the Beck-Godrich combination producing yet more new sounds and textures. Listen to the best of Beck on Apple Music and Spotify. The Information arrived in early October 2006, heading straight for No.7 on the Billboard 200 with a first-week sale within a whisker of 100,000, as “Nausea” climbed the Modern Rock Tracks chart. “Ghetto-blasters are slung over shoulders, vinyl is scratched and maracas are shaken, but among all the audio-visual chaos, Beck and his band maintained the tightest sound I’ve yet to hear from them.” “Beck’s touring band puts on an electric circus of a show, swapping instruments like candy and shimmying all over the stage. “The new stuff is good - real good,” glowed SPIN’s review of Download.

BECK THE INFORMATION DELUXE RAR FULL

When Beck got back to the US, an appearance at the Download Festival preceded a full tour, and TV appearances with Jimmy Kimmel and on Saturday Night Live.

Clickmusic’s review of the V performance enthused about the “puppet-wielding magic of Beck, treating us to ‘Cell Phone’s Dead’ from forthcoming record The Information as well as a jazzed-down rendition of ‘Sexx Laws.’” The European shows included such destinations as the Paradiso in Amsterdam and the UK’s V Festival, as well as London club shows at Shepherds Bush Empire and Koko. So was a cover of Hank Williams’ “Lonesome Whistle,” while an opening show at Freeborn Hall in Davis, California, had him tipping his hat to British pop band the Korgis’ influential 1980 hit “Everybody’s Got To Learn Sometime.”

BECK THE INFORMATION DELUXE RAR SERIES

By then, Beck was in Europe, playing a series of shows that came after an early summer run through the States, on which that new song was already in the set list. “Nausea” was the track that blazed the trail, going to US radio in early September. It was a lot of he and I hanging out, listening to what we were doing, him writing, me just screwing around endlessly with machines and what not.” “Half the time we were in the pool, the other half we were talking about what we’re doing and trying new things. “We built a little studio in his garden ,” he said. “Backyard” was the appropriate word for the creation of The Information, too, as Godrich remembered in the Rolling Stone feature. During this mid-2000s period, the producer divided his time between the Beck album and Chaos and Creation in the Backyard, the album he oversaw for Paul McCartney. The response from the fans has been so strong, and that’s the most important thing.” Making plans with Nigelīeck began work on the songs that comprised The Information as far back as 2003, long before Guero and soon after the release of the last of his collaborations with Godrich, the stripped-down Sea Change. “Any art on a CD is an incentive to buy and listen. “It’s an unconventional package, but it shouldn’t be penalized for that,” countered Beck. The second disc on the album that contained all of the video clips was too much for the British chart compilers the Official Charts Company, which banned The Information from the UK sales countdown as they deemed that the video disc gave the title an unfair advantage. It’s not even technically an audio thing anymore. We’re moving into a time when the song and the imagery and video are all able to exist as one thing. “The conventional ways aren’t working like they used to, so now there’s a willingness to try new things. “I’ve been trying to do something like this for the last three albums,” he told the magazine. It was an inspired way of making his fans feel part of his creative process, as he explained to Rolling Stone when the album was released. The album was also marketed with a blank sleeve and booklet, and sheets of stickers designed by visual artists handpicked by Beck, so that his audience could further engage by customising the cover to their own design. He leaked some of those videos and tracks way before the album release on his website and elsewhere, including, as the era demanded, his MySpace page. Beck created low-budget videos for every track on the record, and became a flagbearer for the now-accepted concept of connecting with your audience intimately in the digital space.

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